Pit Party
Sophie Chao, Megan Hsu, Sarah Kim, Brandon Ngai
March 8th 2025 – April 17th 2025
Curated by Nana Cheon
This exhibition explores the fantastical, larger-than-life performances of Americana. Drawing on the hyper-masculine energy of American cinema, first-person shooter video games, bombastic advertising, and the unapologetic theatrics of monster truck rallies, these artists engage with the sensationalized spectacles of American rituals, where identity is both performed and constructed.
For these artists, observation becomes a critical act of transformation. By stepping into the exaggerated world of Americana, they adopt its myths, mimic its grandiose displays, and reinterpret its cultural codes as an act of release and to achieve catharsis. This process of hybridization blurs the line between critique and participation, exposing the absurdities of a culture fixated on visibility and pride. The works resist mere representation; they reimagine Americana as a simulacrum—an amplified and performative reality that reflects both cultural tension and creative possibility.
Sophie Chao (2003, Maryland) lives and works between Pittsburgh, PA, and Maryland. She is currently a senior, completing her BFA from Carnegie Mellon University in 2025 with a minor in Design. Sophie has exhibited at the Frame Galley and Plexi Gallery in Pittsburgh, including her solo show An American Icon earlier this year. Using collage, hand stitching, and oil paint, Sophie examines her relationship with American Media.
Megan Hsu (1999, California) lives and works in Pasadena, CA. She received her BFA in Studio Art at Loyola Marymount University in 2023, and has exhibited at the Obscura Collective in 2025. Megan’s work transforms the ordinary into the uncanny, using muted tones and exaggerated domestic scenes to delve into the psychology behind consumerism and the exchange of values and desires. She works in ceramic, acrylic paint, and airbrushing to create playful, yet disarming spaces that encourage viewers to reflect on their own roles in these systems that drive contemporary life.
Sarah Kim (1996, Seoul, South Korea) lives and works in Pittsburgh, PA. She earned her BFA from Carnegie Mellon University in 2019 and has exhibited at spaces including Associated Artists of Pittsburgh, and The Government Center. Sarah has held roles at the Andy Warhol Museum, Concept Art Gallery, and the Pittsburgh Cultural Trust, and she was a resident at Boom Concepts and Bunker Projects in 2022. Drawing inspiration from toy cars, monster trucks, and nostalgic pop culture, she embraces bold, unrefined marks in her work, celebrating imperfection, play, and the joy of making.
Brandon Ngai (1997, New York) lives and works in Brooklyn, NY. He received his BFA from Carnegie Mellon University in 2019 with a minor in Architecture. Brandon’s work has been featured in exhibitions such as Primary Lotus and Subsurface: Sight-Specific, Sight & Sound, and his illustrations have been published in Brain Dead: Mutant Sequencer. His work combines unconventional color palettes with technical precision, creating densely layered drawings influenced by a vast spectrum of media. His imagery pulls viewers in with bold colors, then unfolds in intricate details upon closer inspection.
Sarah Kim, Tricycle, 2022.
Oil pastel, soft pastel, acrylic, color pencil on paper.
38 x 50 in
Sarah Kim, 거북선 트럭 (Geobukseon Truck), 2025.
Oil pastel, soft pastel, acrylic, color pencil on paper.
50 x 38 in
Brandon Ngai, Good Morning, Captian, 2021.
Stabilo markers on paper.
8 x 11 in
Sophie Chao, Hanbok Cowboys, 2025.
Textile and oil paint.
6 ft.
Megan Hsu, Dinner Party, 2024.
Acrylic on canvas.
30 x 40 in.

Ceramic lamp.
Brandon Ngai, The Gambler, 2021.
Stabilo markers on paper.
12 x 9 in.
Megan Hsu, We’re Late!, 2025.
Acrylic on canvas.
36 x 36 in. each, diptych.
Brandon Ngai
Top: Jill Valentine, 2021.
Bottom: Beetles in My Garden, 2021
Stabilo markers on paper.
9 x 12 in.
































